His Native Life in South Africa (1916) was a seminal text in the study of land dispossession in South Africa. Viewed as the founding father of black literature in South Africa, Plaatje was also the first secretary general of the then South African Native National Congress (now the African National Congress) at its foundation in 1912. This epic story follows the trajectory of the Tswana people during and after their military encounter with the Zulus under Shaka, the Zulu conqueror of the 19th century, and encompasses their earliest encounters with the white people moving into the interior. The first novel by a black South African was Mhudi (completed in 1920 but only published in 1930), by Solomon (Sol) Thekiso Plaatje. The first generation of mission-educated African writers sought to restore dignity to Africans by invoking and reconstructing a heroic African past. Literature by black South Africans emerged in the 20 th century. His later novel Leaven (1908) is a moving denunciation of “blackbirding” (the recruitment of people through trickery and kidnappings to work on farms) and other iniquitous labour practices, and Love Muti (1915) attacks British colonial attitudes. He wrote two novels set in this world, Prinsloo of Prinsloosdorp (1899) and A Burgher Quixote (1903), capturing with a great deal of sly humour the personality and situation of the Boer at the time. In several newspapers, he denounced British colonial attitudes as well as satirising Boer corruption. Schreiner’s other work includes a critique of Cecil John Rhodes’s brutal form of colonialism, Trooper Peter Halkett of Mashonaland (1897), and the polemical Women and Labour (1911).ĭouglas Blackburn, a maverick British journalist who came to South Africa when the Transvaal was still a Boer republic, had something in common with Schreiner. However, it has been criticised for its silence with regard to the black African presence in South Africa. The novel draws on the post-romantic sensibility of Emily Bronte’s Wuthering Heights, and is still a key text in the formation of a truly South African voice.
Schreiner was born on a mission station and worked as a governess on isolated Karoo farms, an experience that informed the novel. Olive Schreiner’s novel, The Story of an African Farm (1883) is generally considered to be the founding text of South African literature. Like subsequent novels such as Allan Quartermain and She (both 1887), its central character is the hunter Allan Quartermain, Haggard’s ideal of the colonial gentleman.Īlthough Haggard wrote many other adventures and fantasies, it is his highly coloured African works that are still read today. His most famous book is King Solomon’s Mines (1886), a bestseller in its day (and filmed several times up to the 1980s). One such writer, Rider Haggard, wrote many mythical and adventure stories, beginning in the early 1880s.
This is especially true of the writers of adventure-type stories, in which colonial heroes are romanticised and the role of black South Africans was reduced to that of enemy or servant. The first fictional works to emerge from South Africa were produced by colonial writers whose attitude to indigenous South Africans was, at best, ambivalent, if not outright hostile. This overview focuses primarily on English fiction, though it also touches on major poetic developments.
South Africa has a rich and diverse literary history, with realism, until relatively recently, dominating works of fiction.įiction has been written in all of South Africa’s 11 official languages – with a large body of work in Afrikaans and English. South Africa has a rich and diverse literary history. An overview of the main currents in South African literature, from Olive Schreiner’s depiction of life on isolated Karoo farms to more recent work that tackles the aftermath of apartheid and pushes into the post-apartheid future.